tags
feeds
- rss
- atom
- what is a feed?
popular
- Bill Bishop on The Daily Show
- Highways and Bridges
- Audio of Call with White House's Strautmanis Available
- Not Surprised by Surprising Increase in City Dwellers
- ArtPrize from Above
Sign up for the re:think email newsletter.
archive
- December 2005
- January 2006
- February 2006
- March 2006
- April 2006
- May 2006
- June 2006
- July 2006
- August 2006
- September 2006
- October 2006
- November 2006
- December 2006
- January 2007
- February 2007
- March 2007
- April 2007
- May 2007
- June 2007
- July 2007
- August 2007
- September 2007
- October 2007
- November 2007
- December 2007
- January 2008
- February 2008
- March 2008
- April 2008
- May 2008
- June 2008
- July 2008
- August 2008
- September 2008
- October 2008
- November 2008
- December 2008
- January 2009
- February 2009
- March 2009
- April 2009
- May 2009
- June 2009
- July 2009
- August 2009
- September 2009
- October 2009
- November 2009
- December 2009
- January 2010
- February 2010
- March 2010
- April 2010
- May 2010
- June 2010
- July 2010
- August 2010
- September 2010
- October 2010
- November 2010
- December 2010
- January 2011
- February 2011
- March 2011
- April 2011
- May 2011
- June 2011
- July 2011
- August 2011
- September 2011
- October 2011
- November 2011
- December 2011
- January 2012
- February 2012
Making Customers Cry
October 2, 2008
Posted by: Carol
Alinea chef and impresario Grant Achatz demonstrated last night at Wired's NextFest why he, and not just his food, is so special. He peppered a seemingly casual cooking demonstration and tasting with stories of how he evolved his one-taste preparations onto specially-made, sculptural serving utensils that hold heat, cold and flavors just to the chef's liking.
Two things struck me about Grant's presentation: Even though he is undeniably one of the most inventive chefs in the business, he is as unpretentious as they come. I had heard Homer Cantu, chef-owner of Moto last week, and felt the same way about Homer. Clearly, both men have demanding standards (Grant's scurrying assistants were hard to miss), but they both seem like guys you would want to hang with and work with.
The other was Grant's story about an early version of a dish that had him burning leaves throughout the evening in the restaurant. Customers actually cried at the familiar smells of childhood. By engaging all the senses, Grant delivered an unexpectedly emotional experience.
I woke up this morning in the dark to see the Carbon and Carbide Building in the distance with an orange top. At first, I was confused. Then I realized that it was October and Halloween season. I know that soon, I will walk over to Daley Plaza and find a gurgling orange fountain, then cross the street and find a haunted house in the lobby of City Hall. For some reason, this touches some emotion in me. Maybe it reminds me of the years my grandfather would take me on the bus (he didn't drive) to McLemore to buy halloween candy pumpkins. I'm not sure. But celebrating Halloween so publicly makes me feel like I live in a place where people with souls are sitll in charge.
It's like Grant said, every opportunity to touche the emotions should be taken, especially by cities.

There are no comments for this entry.
*Required fields (your email address will not be published)