tags
feeds
- rss
- atom
- what is a feed?
search
search
popular
archive
- December 2005
- January 2006
- February 2006
- March 2006
- April 2006
- May 2006
- June 2006
- July 2006
- August 2006
- September 2006
- October 2006
- November 2006
- December 2006
- January 2007
- February 2007
- March 2007
- April 2007
- May 2007
- June 2007
- July 2007
- August 2007
- September 2007
- October 2007
- November 2007
- December 2007
- January 2008
- February 2008
- March 2008
- April 2008
- May 2008
- June 2008
- July 2008
- August 2008
- September 2008
- October 2008
- November 2008
- December 2008
- January 2009
Wish I Could Go
September 24, 2008
Posted by: Carol
The intersection of art and nature will be the subject of what looks to be a very cool conference in Reno, Nevada, October 2-4. I love this invitation:
Global interest in the intersections of nature and culture has broadened in recent years. In this expanding field, contemporary artists and designers have re-envisioned the concept of environment. To better understand the ideas shaping this dialogue, the Nevada Museum of Art will host creative practitioners whose works explore natural, built, and virtual environments.
Michael Heizer and the military chose Nevada for a reason. It's a paradoxical and unpredictable place. Wide open and the world's stage. A playground and a dumping ground. Nuclear. Entertainment. Water. Sprawl. Ranching. Beauty. Mining. Gaming. Land Art. Spectacle. Fantasy. Why hold The Conference in Nevada? Because unpredictability yields possibility.
With programming and permanent collections focused on art and the environment, and key partnerships with the environmental and science communities, the Nevada Museum of Art looks toward building an active network of people who are shaping the future of this field.
Welcome to The Art + Environment Conference at the Nevada Museum of Art. This gathering brings together artists, designers, writers, and scientists from around the country to discuss how they change–and are changed by–the natural, built, and virtual environments in which they work.
Just as scientists in the 1960s began crossing disciplines to understand how environments work, so artists started to mix genres in order to model our relationship with the world. Sculptors stopped working with clay and steel in their studios and went directly to the earth. Architects became installation artists and digital cartographers. Painters and photographers became participant-observers in agriculture and industry.
We are glad you have joined us to talk about how and why art has become as important as science in understanding the nature of environments.
-William L. Fox, The Conference Lead Moderator

There are no comments for this entry.